For about a year, I have been working on a special project. You know how sometimes an idea pops into your head, and you wonder “Could I really do that?” This is one of those. I am frequently asked to donate dresses to charities, mostly for silent auction fundraisers. My customers have causes that they care deeply about, and they ask, so I give. It’s easy. But sometimes we want to do meaningful things that are not so easy, that require thought, investment, time and risk. And sometimes a cause or an organization strikes our heart in a different, more persistent way. The Canada Mathare Education Trust felt like that to me. It’s a secular, volunteer-run, registered Canadian charity that provides high school scholarships for children living in the Mathare Valley slum in Nairobi. Mathare is one of the largest and most impoverished slums in Kenya, and most of its 800,000 residents live on less than a dollar a day. Thanks to the opportunities CMETrust provides, kids who would otherwise not have access to a high school education are thriving, and several graduates are now starting university. The students are seizing these opportunities, working hard, and taking on leadership roles [...]
Last night my sister came to me with a mission: she’s taking a quilting class and wanted to select nine harmonious fabrics to use in her first quilt. Because I own a vast amount of printed cotton fabric, she expected this task to be easy. It wasn’t! As she pulled out bolt after bolt and ruminated over multiple possible combinations, I started to think about what makes a colour or a print pleasing to one person and ugly to another. I spend a lot of time making decisions about colour and scale and pattern, but it was interesting to watch somebody else engaged in this process. We all know what we like when we see it – something in our brain just clicks. We live surrounded by visual stimuli and are constantly judging what we like and dislike from a multitude of choices. But I wonder how much of this is subjective, a reflection of our personal or cultural associations and biases, and how much is attributable to science. A recent (2010) study at UC Berkeley by a team of psychologists devoted to the study of colour perception and aesthetics, postulated a new theory of colour preference. “Ecological Valance Theory” [...]
A few weeks ago I did another photo shoot, this time for my Spring/Summer 2012 line. Once again my amazing photographer Lise Varrette worked her magic, this time in her new studio space over a five-hour period with a total of nine children! The children were amazing and the photos are beautiful. As I reflect on these twice-yearly photo shoots I can’t help but feel that in addition to tracking my development as a designer, they’re also tracking the growth of my three daughters, my nieces and nephews, and our beloved friends who have generously acted as my models, some for years. My Caterpillar Dress is a particularly difficult one to photograph well. Because one size fits from about 1-4 years, I like to show it on different ages in the same photo to illustrate its flexibility. But it can be challenging to photograph a 12-month-old, and I don’t know very many right now (all the children in my life are growing too quickly!). Visiting friends with tiny toddler twins fit the bill perfectly. Their older “helper” was the lovely Anika, turning 4 next month, the daughter of other beloved friends. Acting as the senior model with two rowdy toddlers [...]
Normally I avoid pink when I’m choosing fabrics for a new season. It’s so overdone, so painfully gendered, more about being pretty than powerful, sweet rather than strong and playful, and more imbued with symbolism than perhaps any other colour when it comes to dressing our children. My customers often tell me that they’re on the lookout for anything other than pink! But. As the mother of three girls, there have been times when each of my daughters wanted everything to be pink. And when I’m designing, I occasionally fall in love with a print that features pink, if it’s strong and vibrant and gorgeous. There are so many amazing variations on the colour spectrum, so many interesting combinations and juxtapositions. Last month I found myself facing some gorgeous pink fabric, a lovely eco-blend of soy and organic cotton in a deep rich shade of fuschia. It was a stunning match for a cotton hearts print I’d been saving for the perfect occasion. How could I resist? And so I made a special dress in 100% pink, in honour of Valentine’s Day, and I offer it to you in all its pinkness, proudly. Turns out I can do pink after [...]
When I first made the transition from sewing for the love of it to starting a business, I had a lot to learn about production sewing: planning for the best use of precious fabric with minimal wastage, ideal pattern layout, and sewing as efficiently as possible without losing any attention to detail. Because I love to use beautiful, high quality (therefore expensive) fabrics, pattern layout is of special interest to me. Ideally, to maximize yield, fabric should be non-directional so the pattern pieces can lie both up and down, and the print should be consistent throughout. Breaking all of these rules in the name of beauty over function, I recently fell in love with this fabric from Japan. This fabric would certainly make beautiful curtains, but how could I use it for clothing? The answer was instantly clear to me, and it determined the design of two of my new pieces for Fall: As you can see, the skirt is cut from the upper section of the fabric with its soaring birds in a woodblock-print style, simple and elegant. The dress is cut from the lower section, centering the birds on the chest regardless of pattern size. The lowest section [...]
For about a year, I have been working on a special project. You know how sometimes an idea pops into your head, and you wonder “Could I really do that?” This is one of those. I am frequently asked to donate dresses to charities, mostly for silent auction fundraisers. My customers have causes that they care deeply about, and they ask, so I give. It’s easy. But sometimes we want to do meaningful things that are not so easy, that require thought, investment, time and risk. And sometimes a cause or an organization strikes our heart in a different, more persistent way. The Canada Mathare Education Trust felt like that to me. It’s a secular, volunteer-run, registered Canadian charity that provides high school scholarships for children living in the Mathare Valley slum in Nairobi. Mathare is one of the largest and most impoverished slums in Kenya, and most of its 800,000 residents live on less than a dollar a day. Thanks to the opportunities CMETrust provides, kids who would otherwise not have access to a high school education are thriving, and several graduates are now starting university. The students are seizing these opportunities, working hard, and taking on leadership roles [...]
Last night my sister came to me with a mission: she’s taking a quilting class and wanted to select nine harmonious fabrics to use in her first quilt. Because I own a vast amount of printed cotton fabric, she expected this task to be easy. It wasn’t! As she pulled out bolt after bolt and ruminated over multiple possible combinations, I started to think about what makes a colour or a print pleasing to one person and ugly to another. I spend a lot of time making decisions about colour and scale and pattern, but it was interesting to watch somebody else engaged in this process. We all know what we like when we see it – something in our brain just clicks. We live surrounded by visual stimuli and are constantly judging what we like and dislike from a multitude of choices. But I wonder how much of this is subjective, a reflection of our personal or cultural associations and biases, and how much is attributable to science. A recent (2010) study at UC Berkeley by a team of psychologists devoted to the study of colour perception and aesthetics, postulated a new theory of colour preference. “Ecological Valance Theory” [...]
A few weeks ago I did another photo shoot, this time for my Spring/Summer 2012 line. Once again my amazing photographer Lise Varrette worked her magic, this time in her new studio space over a five-hour period with a total of nine children! The children were amazing and the photos are beautiful. As I reflect on these twice-yearly photo shoots I can’t help but feel that in addition to tracking my development as a designer, they’re also tracking the growth of my three daughters, my nieces and nephews, and our beloved friends who have generously acted as my models, some for years. My Caterpillar Dress is a particularly difficult one to photograph well. Because one size fits from about 1-4 years, I like to show it on different ages in the same photo to illustrate its flexibility. But it can be challenging to photograph a 12-month-old, and I don’t know very many right now (all the children in my life are growing too quickly!). Visiting friends with tiny toddler twins fit the bill perfectly. Their older “helper” was the lovely Anika, turning 4 next month, the daughter of other beloved friends. Acting as the senior model with two rowdy toddlers [...]
Normally I avoid pink when I’m choosing fabrics for a new season. It’s so overdone, so painfully gendered, more about being pretty than powerful, sweet rather than strong and playful, and more imbued with symbolism than perhaps any other colour when it comes to dressing our children. My customers often tell me that they’re on the lookout for anything other than pink! But. As the mother of three girls, there have been times when each of my daughters wanted everything to be pink. And when I’m designing, I occasionally fall in love with a print that features pink, if it’s strong and vibrant and gorgeous. There are so many amazing variations on the colour spectrum, so many interesting combinations and juxtapositions. Last month I found myself facing some gorgeous pink fabric, a lovely eco-blend of soy and organic cotton in a deep rich shade of fuschia. It was a stunning match for a cotton hearts print I’d been saving for the perfect occasion. How could I resist? And so I made a special dress in 100% pink, in honour of Valentine’s Day, and I offer it to you in all its pinkness, proudly. Turns out I can do pink after [...]
When I first made the transition from sewing for the love of it to starting a business, I had a lot to learn about production sewing: planning for the best use of precious fabric with minimal wastage, ideal pattern layout, and sewing as efficiently as possible without losing any attention to detail. Because I love to use beautiful, high quality (therefore expensive) fabrics, pattern layout is of special interest to me. Ideally, to maximize yield, fabric should be non-directional so the pattern pieces can lie both up and down, and the print should be consistent throughout. Breaking all of these rules in the name of beauty over function, I recently fell in love with this fabric from Japan. This fabric would certainly make beautiful curtains, but how could I use it for clothing? The answer was instantly clear to me, and it determined the design of two of my new pieces for Fall: As you can see, the skirt is cut from the upper section of the fabric with its soaring birds in a woodblock-print style, simple and elegant. The dress is cut from the lower section, centering the birds on the chest regardless of pattern size. The lowest section [...]